Since 2008 Salomé Voegelin and David Mollin have developed a collaborative practice with words, things and sounds. Their work has a conceptual basis, establishing through texts, voices, sounds and images, conversations and reconfigurations of relationships and realities. Their artistic engagement focuses on invisible connections, transient behaviour and unseen rituals. It re-considers socio-political, architectural and aesthetic actualities and sites through the possibilities of an ephemeral sound, whose invisible mobility invites a semantic inhabiting and brings a participatory engagement to installative and performance based works.

Their collaborative composition Barry Echo was produced for Magazine 4, Bregenz Kunstverein Austria 2008, and is part of the ‘Playing with Words’ book and CD Compilation edited by Cathy Lane.

Their work Ed Ruscha was presented as part of Sound Reason Festival in Delhi, India 2013,

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their multichannel work Drafts was played at Artisphere Gallery in Washington DC, US, in Summer 2014.

Also in 2014 Voegelin and Mollin have worked on Dustcatcher, a 3 minute sound work as album track for The Ear is a Brain Compendium by Liquid Architecture, Melbourne Australia and a text sound piece for Writing Sound 2: Writing, Listening, Performing at Lydgalleriet in Bergen, Norway in November/December. (

In 2015 they produced The Cyclist and the Mushroom and During the Night the Crop will still Grow (unless the player sleeps), two installative works and a performance Writer’s Habits, for the Kunstraum Riehen, Basel, Switzerland on show  during May and June 2015 as part of Nietzsche Cyclists and Mushroom and

presented a ventriloquised performance of Languages of Exile via thickear at Foundation B.a.d, Rotterdam, Sat 31 Octobter ( Their own performance of the work is hosted by Sounding Out #48 ( and a participatory reworking of the piece, with local artists and performers, was shown as part of the partner programme of the 6. Marrakech Biennale in Morocco in 2016. (

On the 2 November they  performed, at the Showroom in London, practising the current political situation with words, movements, numbers, and a cello, with Thomas Gardner, 02.11

and in December 2016  they were awarded a CHF 175’000 prize to realise an Kleefeld-Klangfeld, Art and Architecture commission in Bern, Switzerland.

in June/ July they produced two radio compositions for Dokumenta 14: The Glad Circle,  Broadcast #17 Saout Africa(s) on the 4th July 2017 and They own the Night radio work, in collaboration with Silvia Ploner and Nicolas Perrer YNK #10, on the 27th June 2017 Broadcast on: UKW 103.0 MHz in Berlin, UKW 90.4 MHz in Kassel, SW 15560 kHz Berlin, Athens, Kassel.

Currently Mollin+Voegelin are showing Vocal Site Report and The way I walked the cars went backwards, two new works at La Tabacalera Gallery in Madrid, Spain curated as part of FASE 6 by Alex Arteaga (30 November 2017 - 2 February 2018)

for examples of our work click on links or visit our soundcloud,

and follow us on twitter mollin+voegelin @mollinvoegelin